Today the parameters between the commercial gallery space and the non-profit art space are becoming thinner to give way for a hybridised approach to a galley space. In this hybrid commercial scene the negative connotations attached to the commercial galley space are beginning to disintegrate as within many commercial galleries they are opting for non selling exhibitions where the artists are allowed to work on experimental/alternative projects or artists in residence schemes. Does therefore 'commercial gallery' just simply mean that the art can be purchased.